He finds the railroad track and follows it. As he walks, he senses strongly that Clarisse once walked there, too. The track leads him to a fire with five men sitting around it. The leader of the men sees him in the shadows and invites him to join them, introducing himself as Granger. Granger reveals a portable TV set and tells him that they have been watching the chase and expecting him to come. The men at the fire, though homeless, are surprisingly neat and clean, and have considerable technology.
Granger gives Montag a bottle of colorless fluid to drink and explains that it will change the chemical index of his perspiration so the Hound will not be able to find him. Granger tells him the search has continued in the opposite direction and that the police will be looking for a scapegoat to save themselves from the humiliation of losing their prey.
The men gather around the TV to watch as the camera zooms in on a man walking down the street, smoking a cigarette. The announcer identifies this man as Montag. The Hound appears and pounces on him, and the announcer declares that Montag is dead and a crime against society has been avenged. The homeless men reflect that the police probably chose the man to be their scapegoat because of his habit of walking by himself—clearly a dangerous and antisocial habit.
The sun burnt every day. It burnt Time. Time was busy burning the years and the people anyway, without any help from him. So if he burnt things with the firemen and the sun burnt Time, that meant that everything burnt! This latter device effectively pits the entire city against Montag and creates a definite time factor as opposed to the progress of the Hound, which is an undetermined distance away from Montag.
What happens to Montag as he leaving the hound? Why does Montag leave the fire station? Does the hound kill Montag? What page does Montag find out Clarisse died? Why does Montag think Beatty wanted to die? How does Montag feel after killing Beatty? Back To Top. Montag remains emotionally detached in this section. He enjoys burning his own house as much as he enjoyed burning those of others, and he begins to agree with Beatty that fire is removing his problems. He imagines Mildred and his whole previous life under the ashes, and feels that he is really far away and that his body is dead.
Beatty is described as no longer human and no longer known to Montag when he catches fire. Again, like so many other things in the novel, fire has two contradictory meanings at once.
Murder is, after all, a far worse crime than book burning. Only later does Montag acknowledge what he has done and feel some remorse for his actions. Montag is not as different from Mildred, Beatty, and others as he thinks. In this section, he confides in Faber that he has been going around all his life doing one thing and feeling another, an unconscious dualism that resembles the conflicted psyches of Mildred and Beatty.
Also, when he and Faber watch the sensationalist TV news coverage of his escape and the chase, the possibility of watching the unfolding drama on TV fascinates Montag, and he finds all the glitz and tabloid glamour he has inspired somewhat flattering. If he is killed on TV, he wonders if he could sum up his whole life in a few words in the brief moments before his death so as to make an impact on the people watching.
Montag has not yet escaped from the culture against which he revolts—he is still concerned, even in his most dire moment, with surface appearances, fame, and sensationalism. Ace your assignments with our guide to Fahrenheit ! A Tale of Two Cities Dr. Jekyll and Mr.
SparkTeach Teacher's Handbook. Why did the government ban books?
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